The Contaminant As Actor, 2019
Building on discourses of beauty, this series takes as its jumping off point, the problematic of imperfec- tions in craft aesthetics — asking the question: Can fundamental flaws in the construct of a work add to the overall depth and richness of a piece? By removing flint from the contact layer between plaster mould and glass the intentional fractures and fusions are caused so as to challenge high gloss notions of perfection.
*Selected for the British Glass Biennale